Delays are nothing new to comic books. In the 90s, readers of From Hell quickly grew accustomed to waiting several months for the next installment of Alan Moore and Eddie Campbell’s historical opus. It took two years for the epilogue to surface. Less drastic, though still irregular was the final year of Sandman, during which I treated the release of a new issue as an unpredictable surprise. Neil Gaiman once observed that it took him three weeks to script a single issue of Sandman, which did leave me wondering how he had much time for the myriad other projects he was pursuing. (Still wish that Sweeny Todd adaptation he was planning with Michael Zulli had happened). Miracleman had already seen delays during the final Alan Moore arc Olympus, and this continued with Gaiman’s The Golden Age. One reader even wrote in saying that the series must be the “slowest comic ever”; editorial deflected by suggesting that Moore’s Big Numbers or “any Brian Bolland project” were much more protracted). However, as readers today also know, delays are often worth the wait. Olympus and The Golden Age are both outstanding storylines which rank amongst Moore and Gaiman’s best work. Also publisher Eclipse’s financial difficulties (bankruptcy would jarringly cut short Gaiman’s second arc The Silver Age after only two issues) should be taken into account as well. Regardless, Eclipse decided to put out a limited series that would help tide over fans between The Golden and Silver Age.