By Peter Milligan, Leandro Fernandez & Cris Peter
Peter Milligan’s new Image series opens on a disorienting note which announces its genre blending. Artist Leandro Fernandez lays out the first two pages as a set of thin, rectangular panels, each of which offer a constricted view of the action. Fernandez also sticks with close-ups, providing only details of what is occurring. Cris Peter’s colors highlight the occasional feature, such as the yellow glow of skyscrapers at night or a bright green cat-like iris. Such an approach draws the reader deeper into the page, trying to sort out what exactly is happening. The bodies involved are unconventional (monstrous to use a less polite term), while their behavior appears to be more conventionally sexual in the nature. Next Fernandez pulls back for a full page view of the aftermath. The angle remains skewed, the atmosphere menacing, though the figures are now human. Scattered (and shredded) clothes litter the foreground. Milligan’s intentions to mix sex and horror are immediately clear. For those familiar with Milligan’s sizable body of work this should come as little surprise.